G-Sonique X Swede (music producer of Lil Wayne, Dj Khaled, Gucci mane etc.) Trap Bass - VST kick drum synthesizer plug-in

Swede Trap Bass is a plug-in synthesizer designed for creating heavy Trap / Hip-Hop Kicks and fat Basslines. Cooperation between G-Sonique X Swede,
plug-in developer more than 14 years on the market and famous hip-hop RIAA platinum producer Swede.

Swede made music for world-class rappers and singers like Lil Wayne, DJ Khaled, Gucci Mane, Nas, Farruko, Dalex etc. his music
was used in Hollywood movies / Soundtracks like Bad Boys for Life with Will Smith, etc.

Trap Bass is instrument designed to create kicks and basslines easy and fast without the need of difficult post-production and fine-tunning with additional
effects, everything is included. With trap bass you can create massive kicks and basses in seconds, from classic to progressive new kind of basslines.
The synthesizer combines the best of digital and analog/vintage, from warm analog filters and oscillators, to vintage style exponential envelopes coded after
real hardware drum boxes. 20 kick oscillators, 8 filters, oscillator waveshaping, analog distortion circuits, parametric saturation and much more. Thanks to
emulation of various vintage analog circuits/modules plug-in sounds very smooth, round and fat comparing to basic digital synths.

The synthesizer is designed for heavy Trap and Hip-Hop kick drums and basslines but it can be used in various music styles like Techno, House, Acid, Rave,
Underground tekno, Hardcore, Gabber, Psytrance, Deep Drum and Bass, Bigroom, Minimal, Uk garage, Downtempo, Electro and others.

Win VST 32/64bit plug-in

Limitation of the demo version: short noise sound about every 20 seconds.

Demoversion download: Swede Trap Bass  (12,3 MB)

Pentium III 1200 Mhz / 256 MB Ram
Windows XP/7/8/10
VST/VSTi compliant host (Cubase, FL Studio, Ableton, Studio One, Sonar, Reaper)

Serial number

Marian B. a.k.a. Brezekhiel (mix/mastering engineer and DSP coder/plug-in developer) says:

"There are many clients sending me the trap songs for mastering. They are keep
asking me how to make a heavy trap kick n bass like in the top music hits.
Is it possible to make it so massive "just" with an analog mastering? Especially
if the kicks sound quite weak in the mix? My usual question is: "Do you use
kick n bass samples instead synths?" They answer yes and that's exactly it.

If you use a kick sample on the C5 note, it is fine but when it comes to melody
and different notes, the kick n bass samples miss punch, energy and the
proper resolution.

So when Swede contacted us regarding bass plug-in for Trap, I instantly
knew this will be very useful and requested too. Easy but powerful synthesizer
specially designed for heavy, massive trap kicks and bass.

We've spent 2 years developing and testing such synthesizer. With the
basslines that will break your windows :-)

Our goal was to make a plug-in that is very effective. Something that will generate
the desired sound fast and with easy - and with all the processors
included so you don't need to go through post-processing afterwards. You don't
have time to fine-tune one kick for 6 hours, do you? At the same time, we wanted
to create a powerful tool which allows you to do everything from the classic kicks
to the progressive new kind of basslines. And with your full
control over the synthesis completion."

www.onlinemasteringstudio.eu

Lukas, CTO of G-Sonique Says:

Oscillators:
Main core of every synthesizer is the Oscillator. Our killa oscillator contains 20 precisely designed shapes. Beside basic sinuses it also includes modern
and progressive sounding oscillators like Brutal overdriven, Tube processed, Vintage sinus, Computer sin, Detroit analog, Clipped sinus, etc. You can set
oscillator tone, pitch and phase too.


Filters:
The Filter section includes 8 high-quality filters - from the warm analog emulations to a code based on the digital DSP hardware synths recreated from
DSP chips. There are filters like Dirty Analog Low pass, Peaking, Notch.

Even standard modulations are available - such as Analog style envelope, Cutoff, Resonance.


Wave-shaping algorithm:
This is a special wave-shaping algorithm placed before the filter! This way it creates a totally different effect rather than a wave-shape or a saturation placed
as an external effect. Our wave-shaping algorithm will create a wide scale of sound manipulations - from the subtle analog style saturation, to the cubic
or square digital shapes. From the modern and smooth style to the vintage analog warm colors. You can set a shape and wave-shape amount as well as
amount of square or cubic shaping. Again, this is a nonlinear processing module so the parameters can create hundreds of different sound combinations.

You can turn the wave-shaping normalization on and off to keep the normalized volume level after processing.


Amplitude envelope:
This is a classic amplitude envelope, but with a vintage behavior based on the drum boxes from 80's.
Also, with the modulation knob, you can control the peak output volume that drives the output saturation and overall color.


Oscillator pitch envelope:
This is not a classic envelope. This is an exponential envelope inspired by the vintage drum machines to recreate the legendary hip-hop kicks from 80's - the
kicks with non-standard parameters like Start shape and Shape amount.

+ there is a big and precise pitch envelope modulation knob to set the desired kick sound and shape


Voices + Glide:
You can set the voice as poly and mono. Glide between the different notes necessary for the trap music. This is something that you cannot do properly with
the basic samples.


Oscillator output:
The analog drum machines shape sound and color in a nonlinear way - that means that the louder output was more saturated, it generated more harmonics
and the kick was fatter. We've recreated this behavior which you can control with a knob.


Analog distortion circuit gain:
A precisely recreated analog distortion circuit module based on famous guitar pedals necessary to create heavy "in your face" kicks. It doesn't sound harsh
like the digital distortions. With a knob you can choose between subtle and heavy distortions.


Parametric saturation:
The last processor in the unit affecting the overall sound (analog vs dsp style) is a parametric saturation. You can tweak the sound with parameters like
Saturation shape, Saturation level, Saturation shape level and apply the final effect amount with the dry/wet knob.


One click-update button
Make sure you always have the latest version. Just click and update or connect to your account and download the new one.  


Preset manager   with 66 hand-crafted presets by various Trap producers, Brezekhiel and Swede.

Win VST 32/64bit plug-in

Windows only VST 32/64bit

Windows only VST 32/64bit

"We've used our best algorithms and 15 years of knowledge of making software, hardware and
DSP processors to create this kick monster. We wanted to create a really advanced synthesizer
- with your full control over the sound - and easy, funny and fast at the same time. A synth where
you can tweak any knob and it will always sound good. You want to create a music, not the rocket
science of sound post-processing and finetuning, don't you? This is a digital synth but we've
obsessively recreated many parts of the original synthesizers by emulation of their various
analog modules - like saturation, vintage exponential envelopes, distortions and saturators.
The original hip-hop/trap kick was created with the analog vintage drum machines from 80's.
So, actually, our synth combines the best of the digital and analog world. "

" There are analog and digital style oscillators as well as many virtual analog circuits and
modules included. Therefore, this unit works in a non-linear way. As such, it allows you to
achieve various sound colors and an, in fact, an exponential number of different combinations.
Thanks to emulated analog circuits, the kicks and basslines sound very smooth, creamy fat
and heavy, but not sharp or harsh." told Marian B. main plug-in architect

Music produced for: Lil Wayne, DJ Khaled, Gucci Mane, Meek Mill, Farruko, Nas, Dalex….

His music was used in Hollywood movies: Bad Boys for Life (Starring Will Smith and Martin Lawrence),
TV Show Kidding with Jim Carrey or commercial with NBA star Paul George!